William Eggleston’s standing as one of the masters of colour photography is widely acknowledged. But the gradual
steps by which he transformed from an unknown into a leading artist are less well known. Steidl has undertaken to
trace these steps in an ambitious series of publications. Before Color (Steidl, 2010) explored Eggleston’s revelatory
early black and white images, while Chromes is an edit of more than 5,000 Kodachromes and Ektachromes taken from
ten chronologically ordered binders found in a safe in the Eggleston Artistc Trust. This archive had once been used by
John Szarkowski who selected the forty-eight images printed in Eggleston’s seminal book William Eggleston’s Guide,
while the rest of the archive has remained almost entirely unpublished. This book presents Eggleston’s early Memphis
imagery, his testing of colour and compositional strategies, and the development towards the ‘poetic snapshot’. In short,
Chromes shows a master in the making.
William Eggleston, born in Memphis in 1939, is one of the most important contemporary American photographers.
From the 1970s onwards, his work has been central to the recognition of colour photography as an artistic medium.
Eggleston has published extensively and has shown in many major exhibitions. Steidl has published Eggleston’s Paris
(2009) and Before Color (2010).
Chromes
