From the precocious charms of Shirley Temple to the box-office
behemoth Frozen and its two young female leads, Anna and Elsa, the girl
has long been a figure of fascination for cinema. The symbol of (imagined)
childhood innocence, the site of intrigue and nostalgia for adults, a metaphor
for the precarious nature of subjectivity itself, the girl is caught between
infancy and adulthood, between objectification and power. She speaks to many
strands of interest for film studies: feminist questions of cinematic
representation of female subjects; historical accounts of shifting images of
girls and childhood in the cinema; and philosophical engagements with the
possibilities for the subject in film. This collection considers the specificity
of girls‘ experiences and their cinematic articulation through a multicultural
feminist lens which cuts across the divides of popular/art-house, Western/non
Western, and north/south. Drawing on examples from North and South America,
Asia, Africa, and Europe, the contributors bring a new understanding of the
global/local nature of girlhood and its relation to contemporary phenomena such
as post-feminism, neoliberalism and queer subcultures. Containing work by
established and emerging scholars, this volume explodes the narrow post-feminist
canon and expands existing geographical, ethnic and historical accounts of
cinematic cultures and girlhood.From the precocious charms of Shirley Temple to the box-office
behemoth Frozen and its two young female leads, Anna and Elsa, the girl
has long been a figure of fascination for cinema. The symbol of (imagined)
childhood innocence, the site of intrigue and nostalgia for adults, a metaphor
for the precarious nature of subjectivity itself, the girl is caught between
infancy and adulthood, between objectification and power. She speaks to many
strands of interest for film studies: feminist questions of cinematic
representation of female subjects; historical accounts of shifting images of
girls and childhood in the cinema; and philosophical engagements with the
possibilities for the subject in film. This collection considers the specificity
of girls‘ experiences and their cinematic articulation through a multicultural
feminist lens which cuts across the divides of popular/art-house, Western/non
Western, and north/south. Drawing on examples from North and South America,
Asia, Africa, and Europe, the contributors bring a new understanding of the
global/local nature of girlhood and its relation to contemporary phenomena such
as post-feminism, neoliberalism and queer subcultures. Containing work by
established and emerging scholars, this volume explodes the narrow post-feminist
canon and expands existing geographical, ethnic and historical accounts of
cinematic cultures and girlhood.

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