Catherine Vidler’s visual poems are experiments in symmetry, images flipped, repeated, fragmented, and transformed, liberated from their mimetic source contexts and re-presented as frenetic harmonies of shape and movement.
– Ken Hunt

Vidler’s beautifully oblique, diagrammatic pieces remind us that poetry has always been a numbers game. Lost Sonnets is like walking through a forest of winter trees on a clear, moonless night. Up above there are no clouds, only comets and constellations.
– Tom Jenks

Lost Sonnets confidently places Vidler’s writing next to Shakespearean, Petrarchan and Spenserian forms; here metrics and rhyme look beyond language into a visual form ranging across the map of potentiality. Soon we will all be writing Vidlerian sonnets.
– Derek Beaulieu

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